Oldschool D&D Demogorgon

Grenadier Fantasy Classics #321 Demon AKA Demogorgon
Extremely popular since the first season of Stranger Things, this ia very old model from grenadier.  
Sculpted by John Dennett
Producer: Grenadier line Still in production by Mirliton.

Scale: 28 mm

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D&D Monsters

Some beauties of the old Dungeons  Dragons metal range from Wizards of the coast. The Carrions Crawler and the Displacer Beast, this range f miniatures had some really great sculpt, in fact WoC used many as base for the plastic prepainted models D&D range carrion-crawler01carrion-crawler03carrion-crawler02displacer-beast-02 displacer-beast-01

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Tapjar and other DCC baddies

We are playing some DCC scenarios, DCC (Dungeon Crawl Classics) is a new game with an old soul. It has a charming retro flavor from the old school D&D, but it goes further than other retro-clones. If you are in your forties (or more) and are missing those old days of crazy playing D&D almost daily, this is your game!
Past week we played “Old God’s Returns”, a kind of Christmas tale, where a really bad guy, a Christmas party pooper do nasty things (kidnaps kids!).
tapjargremlinsThe name of this guy is Tapjar, and on their ranks has some little helpers and other creepies. Of course, there are no miniature models exactly like this on the market, so, I decided to make some changes in order to get the right stuff on the table.
First changes, on the scenario. The adventure describes the little helpers (Tontuu) like a kind of evil gnomes, I didn’t find gnome miniatures looking as evil as required, but I stumbled on some nice gremlins from Reaper Miniatures these could work really nice. They have pointy hats, huge knives,  and huge badass smiles. These miniatures are really tiny, by far the smallest stuff I painted recently, on the photo they are based in 28mm bases, so you can guess the real size.
Second change the Ice Demon, in the scenario it has the shape of a praying mantis, but I decided to replace it by the Reaper Ice Toad, it’s a nice model and IMHO has more relation to water than a praying mantis, and it’s a miniature very fast and easy to paint, shame isn’t a bit bigger.
Last step is Tapjar itself, I decided to go for a conversion, the base model is the Cave Troll sculpted by Ben Siens, I picked the one from Bones range, since these plastic models are much cheaper and the plastic makes them really suitable for conversions.
77004_w_1I beheaded the troll, pulled a wire and started to sculpt my own head based in the scenario art. Tapjar is described as a decaying supernatural creature, humanoid and tall, with a reinder head holding an impressive rack of antlers. He is mangy, dirty and patches of skin tear apart exposing their skull. So I went for a kind of zombie look, thinking on a paint stage with blueish purple tones halfway between frozen and rotten meat with patches of decaying fur, all very nasty. The rank of antlers is like frozen and its the source of an aura looking like the aurora borealis, so I added some basing sand resin to work it like a kind of frozen ice when painting.
A couple of crappy cellphone pictures of the conversion

And some pics of the final model painted, click on the thumbnail for bigger images.
tapjargremlins1 tapjargremlins2 tapjargremlins3

Basing it’s a resin base from fenrys or epsylon( I don’t remember) and Galeforce9 snow.

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Fairy Meat miniatures

Some Fairy Meat miniatures from Kenzer Co.ret1 ret2fad1 fad2 fad3

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Desert Dungeon Tiles

Since a long time I’m looking for a small set of dungeon tiles. The main goal is to use them for pulp Egypt games, but should work also for Arabian fantasy games like D&D Al-Qadim.
I wanted something looking like sandstone tiles, dusty but without pushing too hard in the Egyptian style. Specific style details will added later, using scenery items when setting the board (columns, statues etc)
Most of the tiles available on the market go for 100% Egyptian theme or into the “rocky” classic dungeon, none is really balanced half way. Since I don’t need too many  I decided to build my own set of tiles.

My first choice was to build my own mould and cast the tiles following the huge amount of information about casting available online. Sadly my poor criteria choosing the silicone turned into the worse mould ever seen, I casted it a few times using Sculptamold and got half a dozen tiles of awful quality and very bulky.
B001pThe feedback after the first batch of castings was really bad, casting is boring, takes more time than it looks like (professional casters you have my respect!) and the tiles were really far from what I expected, but during the casting process I realized the Sulptamold is a product with really interesting properties.

So I decided to change the plan. As I had the real fun modelling the original tile for the mould, I decided to model all the tiles, yes one by one, as I said I don’t need a vast production, and in that way every tile will look different.
I found Sulptamold was not suitable for this new approach, so I picked a new product, modelling clay Das, available in white or brown, its air-hardening, it has less definition than Sculpy but don’t needs baking, and its much cheaper (1Kg pack 6€)
C001That’s what I got after a couple of evenings modelling.setDSCN7438pdetallDSCN7438The tile photo allows you to see the detail definition of the Das clay, I think is good enough for that project, as you can appreciate the job don’t requires top-level skills modelling. As modelling tools I used a roller to laminate the clay,  toothpick and a modeling lancet to sculpt, and a hair-metal brush for textures.

I left the tiles drying, a few hours to hard, but several days to be 100% dried. I would say after a few hours, despite it looks dry, if you wet the piece you can soft it and work again with it, like traditional clay, but I didn’t tried it.

On the meantime, since I only modelled rooms with the Das clay I decided to get back the sculptamold tiles, I sawed and sanded them to build a few corridors for my dungeon.DSCN7442p
As I previously said I think sculptamold has a lot of possibilities, is good for casting but when half dry it can also be modelled in basic shapes but keeping nice texture. I decided to try a test building some dirt tunnel corridors and room tiles.
I mixed sculptamold, and as he gets their “porridge” look I simply throw it over a surface in the shape of the desired corridors and rooms (previously I tested sculptamold don’t adheres to that plastic surface).
DSCN7443pAfter 30-40 minutes, when it’s hard, I bended the plastic surface to make the pieces “pop” from it, its important the timing, too soon the piece will be too soft and will crack, if too late the possibilities of adherence increase and then it will crack too.DSCN7444pOnce removed I let them dry, it took a few days to completely dry.
When dried I cut some cardboard bases to give the sculptamold a bit more of resistance, glued, added Vallejo Pumice coarse paste, and ready to go to the painter.
DSCN7452pDSCN7454p Update: Some shots of the final tiles painted
General view and a couple of close views
About the irregular tunnels that’s how they look after a quick spray and dry brush painting, I’m not too satisfied on how they look, I will keep them unvarnished and maybe i rework on them in the future.DSCN7586-70Here you can see how they work together, tunnels with the square tiles
One the floor tiles has a removable central part, in order to replace the central tiles for other bits according the game, traps, stairs going down, in the shot you can see how it looks as the usual trap and the snake pit.
As last note, please a moment of silence for the memory of this miniature, from the arab range of Mega, which after the photo session was varnished with a corrupted Vallejo varnish, previous week it was fine, I used it to varnish the tiles.
Now you can see how the poor guy looks, the statues and the stone golem where also varnished on the same pack but I succeed to remove most of the varnish.

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Ancient Rome harbour

200B.C. Roman harbour in Cartago Nova area.
Scale models at Arqua Museum http://en.museoarqua.mcu.es/index.html

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The imaginarium of Doctor Drachenfels

Drachenfels. The Great Enchanter. A devil in human form, who cheated Death for centuries unknown; a man with appetites so base they lay beneath sanitation; a necromancer, torturer of the dead, dismemberer of spirits; a vileness made flesh; a wizard, a scholar, a monster. Untold are the reaches of his barbarities, uncounted the number of his treacheries, beyond belief the depravity of his practices. Was ever such vileness born of mortal flesh?
– Lives of the Depraved, by Konrad Steinhoff
Talabheim, Schnuffler & Son Publishers 2099

Deep in the Grey Mountains hidden far away, there is the castle of Drachenfels, a place of death and madness, the lair of The Great Enchanter. This place is the setting for one of the most silly and  violently nonsense campaigns for  Warhammer Fantasy rpg. It’s a great fun dungeon crawler with a certain death awaiting at every corner, well maybe is funnier for the DM than the players, but the setting succeed to create a paranoid mood like the ambiance in the novel. Yes, because Drachenfels is also a warhammer novel, by Jack Yeovil, I would say is one of the best warhammer novels I ever read, but i haven’t read a lot.
Past year we played this campaign, at a certain point the group of adventurers reaches a puppet theater, where living puppets will perform a parody reenacting the players mistakes and fears trying to taunt them into a deathly combat.
Expecting the group of players will don’t selfcontrol, or succeed to join the satire, I decided to work on some scenery and some miniatures for the upcoming battle.

On internet I found a lovely XIX century paper theater ready to print and build.
I made some modifications on the file to make it more Warhammer-like.
You can download the original theater from this cool blog http://randomcreativity.wordpress.com/2011/08/23/3d-fairy-tale-theater/
The puppets are Wyrd miniatures, the Marionettes from the Malifaux range.

This is the final look of the Puppet Theater
And the curtain rises while mesmerized adventurers watch the show

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the Ghost, the Specter, the Swashbuckler and the Halfling

Some undead bad guys

vs two heroes

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Khorne is coming

some recent khorne devotion, a few 90’s bloodletters

and some Deathgalleys


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“Saving Prof. Le Tuce” a Chaos in Cairo game

The well-known occultist Professor Le Tuce is lost in the desert, a band of friend archaeologist feels that something bad is going to happen, and goes deep into the desert to try find Le Tuce. That “something bad” is the evil Royal Mummy Al’Tun Tuhn, the mummy leader believe the Prof can be a helpful source of dark knowledge if keeps him under his control.

So the goal of both warband is to find Proff Le Tuce, control him and take him out of the board, or at least keep him under control when last turn ends.

The board is 6’x12′ and 8 tokens mark: clues to find Le Tuce, trap events or bluff clues.

Fast and promptly Samuel Lebowsy, the archaeologist Expedition Leader, leads his team to the nearest mark, far on the distance they perceive the first movement of some  dusty wrapped ancient figures.

On their turn the Mummy leader sends HipHopHep, his loyal Soldier Mummy to investigate the closer clue token. Sadly the token is a bottomless sand pit and HipHopHep is sunk to the waist, he will need some help to get out of there before an enemy approaches to coup de grace him.

Meanwhile on  the other edge of the board, the most faithful Soldier Mummy HipHopHup is sent to unveil another mark, just to find a big portion of ground falling down to an old underground chamber, despite his decaying aspect HipHopHup’s agility saves him to fall into the underground chamber
Encouraged by the Mummy search failures, Samuel Lebowsky advances until the first token and finds the Prof Le Tuce glasses “he was around here, for sure!”.
On the background, you can appreciated the Mummy Eternal Slaves effort to help the Soldier Mummy HipHopHep to get out of the bottomless sand pit “ffriiieeend wee helllpthouuu”

Safary Jack opens fire to keep under cover the advance to the next token of Mohama the Foreman. Safary Jack shoot hits and pinning the Eternal Slaves, who despite their failure they keep faithfully helping on HipHopHep’s freedom. The Mohama advance is rewarded with another great finding, the Professor’s water bottle  “he should be thirsty, for sure!”

On their move the Royal Mummy in person activates a marker, only to find a Scorpions Nest. The swarm attacks him before to go away in search of a new home. This shaming episode has not been graphically recorded in order to keep up the frightfully reputation of the Mummy’s labor union. Next turn the Royal Mummy moves first and activates the last token, suddenly the Prof Le Tuce appears next to the big statue, dazed and confused he randomly advances a few inches.

Mohama the Foreman, acting promptly, approach Le Tuce to convince him about the convenience to follow him. But it’s the Mummies clobbering time, HipHopHep finally free from the sand pit tries to save the day by charging over the Foreman.
The eternal slaves charge over Safary Jack, but they are intercepted by the always aware Expedition Leader Samuel Lebowsky. Finally Al’tunTuhn, The Royal Mummy, reinforces the HipHopHep attack charging also over the foreman.

Next Turn, Lebowsky keeps taking care of the Eternal Slaves, on the background you can see how Foreman Mohama bites the dust under the powerful grasp of the Royal Mumy and the rusted kopesh of the always loyal HipHopHep. As resulting from the fall of Mohama, Prof Le Tuce, free of control, walks randomly to the edge of the board.

Everything seems lost, Le Tuce runs to the edge of the board and will be lost forever in the burning sands of the desert. When suddenly Professor Osborne emerges from the other side of the statue and convinces Le Tuce to follow him to get some cold tea at the hotel

But Royal Mummy Al’tunTuhn reacts quickly to the audacity of Osborne, he charges and makes feel Osborne his Royal rage, the rage of 2.000years under the desert sun without suntan lotion. Next to them HipHopHup the Soldier Mummy keeps a melee duel against Lt Powel and Expedition Sponsor Jonah Kensington.

On the last turn the Mummy succeed to control Le Tuce, meanwhile their faithful soldiers have defeated Lt. Powell, and Jonah Kensington.
Samuel Lebowsky unaware of the butchery still keeps the place against the Eternal Slaves.
So, the game ends in a major victory for the mummies, despite they didn’t quit the board with le Tuce, they got the points to keep him under control at the end of the game plus the points for the kills.
This scenario is a Chaos in Cairo adaptation from the .45 Adventure scenario “Quest for La Calavera Negra de la Luna”,  the event cards are on this file

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